by Adam Mitchell Bernard Bond on 2 September 2010
How beatific dost Thou seem,
When I behold Thine unmarked grace,
The gentle curves that frame Thy face,
Thine eyes that with bright waters gleam.
How sweet and innocent Thy pose,
Thy womb borne up by sacred hands,
Thy son held fast, within Thee stands,
Whilst from Thee joy and gladness flows.
I share with Thee a stainless bond,
That will our hearts unending braid,
Into a single strand unswayed,
From fleeting fears fight to abscond.
With Thee I’ll seek to entertain,
A love that everflowing grows,
That my devotion to Thee shews,
That seeks to ease Thine every pain.
How beatific dost Thou seem,
How fast Thou hold’st me in Thy gaze,
And every bashful blush betrays,
Thou know’st my love, Thou art my dream.
by Adam Mitchell Bernard Bond on 2 September 2010
This is the first of what promises to be a series of carefully reflective commentaries on the works of Dr Samuel Johnson, LL. D., in – one hopes – a form that is accessible to modern audiences, who – for all their virtues – are not inclined to read at length something written in the style of Eighteenth Century English Language and Letters. While I admit that the common opinion regarding Johnson is that he wrote a sort of Johnsonese – defined as a literary style that is variously characterized by pedantic erudition, Latinisms, heaviness, pomposity, and obscufation – Johnson himself never wrote Johnsonese. The piling up of reasons, the cumulation of argument – setting off epigram against epigram – that mark Johnson’s literary style are its distinguishing features. He is profound, but always lucid. The word – Johnsonese – was coined by a man who had neither the patience to read Johnson nor the ability to comprehend him. Nevertheless, most readers of Johnson today will meet with a similar impatience and will deny him a fair reading, a reading that offers one keen insights on any number of subjects. I have therefore decided that if Johnson is not to be taken up by the masses and read that at least I might – with varying proficiency – distill his ideas that those who would by nature avoid him taste the ambrosial virtue of his thought.

Illic matre carentibus privignis mulier temperat innocens, nec dotata regit virum conjux, nec nitido fidit adultero: dos est magna parentium virtus, et metuens alterius viri certo fædere castitas.
Not there the guiltless step-dame knows the baleful draught for orphans to compose; no wife high portion’d rules her spouse, or trusts her essenc’d lover’s faithless vows: the lovers there for dow’ry claim the father’s virtue, and the spotless fame, which dares not break the nuptial tie.
Horace. lib. iii. Ode xxiv. 17.
There is no observation more frequently made by such as employ themselves in surveying the conduct of mankind, than that marriage, though the dictate of nature, and the institution of Providence, is yet very often the cause of misery, and that those who enter into that state can seldom forbear to express their repentance, and their envy of those whom either chance or caution had withheld from it.
Johnson here admits something that while hard is nevertheless true, that marriage “is very often the cause of misery,” and that those who are married frequently regret having entered into that state and envy those that are not so bound. While this is – especially for those who hope to enter into matrimony with good will and open hearts – a painful admission, it cannot be pretended that it is not a truth worthy of consideration. It is interesting that in the above paragraph Johnson describes marriage as “the dictate of nature” and “the institution of providence,” though elsewhere he is recorded as having said that nothing is more unnatural than the vows of marriage and that they persist only insofar as the grace of God supports them.
This general unhappiness has given occasion to many sage maxims among the serious, and smart remarks among the gay; the moralist and the writer of epigrams have equally shewn their abilities upon it; some have lamented, and some have ridiculed it; but as the faculty of writing has been chiefly a masculine endowment, the reproach of making the world miserable has been always thrown upon the women, and the grave and the merry have equally thought themselves at liberty to conclude either with declamatory complaints, or satirical censures, of female folly or fickleness, ambition or cruelty, extravagance or lust.
Johnson is here defending women against the prejudice latent in literature – which until the mid-Nineteenth century was chiefly the domain of men and thus subject to their whims, as he describes in the following paragraph.
Led by such a number of examples, and incited by my share in the common interest, I sometimes venture to consider this universal grievance, having endeavoured to divest my heart of all partiality, and place myself as a kind of neutral being between the sexes, whose clamours being equally vented on both sides with all the vehemence of distress, all the apparent confidence of justice, and all the indignation of injured virtue, seem entitled to equal regard. The men have, indeed, by their superiority of writing, been able to collect the evidence of many ages, and raise prejudices in their favour by the venerable testimonies of philosophers, historians, and poets; but the pleas of the ladies appeal to passions of more forcible operation than the reverence of antiquity. If they have not so great names on their side, they have stronger arguments: it is to little purpose that Socrates, or Euripides, are produced against the sighs of softness, and the tears of beauty. The most frigid and inexorable judge would at least stand suspended between equal powers, as Lucan was perplexed in the determination of the cause, where the deities were on one side, and Cato on the other. CONTINUE BENEATH THE FOLD
by Adam Mitchell Bernard Bond on 28 August 2010
Jennifer and I were given the exciting opportunity to see our little fellow at the twenty week ultrasound, which because of scheduling conflicts was held at twenty-one weeks. He was squirming and moving around in there, periodically shaking his tiny balled-up fists and kicking his feet. After an exceptionally detailed set of images were taken — from bone measurements to counting the lobes of the brain and the chambers of the heart — we learnt that Charlie was exactly where he needed to be developmentally. He was 13 ounces and about 10 inches long. He had all of his fingers and toes and his nose suggested that he might take after his father — much to his mother’s chagrin. Altogether the event was reassuring and assuaged any concerns that we had been harboring. Coinciding with the sonogram, I was able for the first time to feel him moving inside the womb. Most recently, I placed my cheek against Jennifer’s belly and was smartly kicked in the jaw… three times. As we draw ever closer to end of the year — when Charlie will make his grand entrance — I find myself filled simultaneously with joy and excitement, fear and trepidation, and a general hazy state of confusion. …yet, for all the emotional ambivalence, I simply cannot wait.
by Adam Mitchell Bernard Bond on 24 August 2010
Witnesses in the Courts of Law are asked to swear, affirm, and promise to give testimony to the truth, the whole truth, and nothing but the truth. With Pontius Pilate, I reasonably beg the question, “What is truth?” Is there an objective truth that exists outside of our perceptions of the same? How can we identify it if we are shackled by the limitations of that perception? Is truth therefore subjective, since its object must necessarily be perceived and interpreted by the individual? And if truth is relative to him who perceives it, what value does it possess? Can it be called Truth? Furthermore, if we agree that all truth is relative, then do we not by this admission insist upon an objective rule by which to measure the same? A law of relativity? A universal rule that insists that there are no universal rules? But again, we cannot simply assert that therefore objective truth must exist — for even in dismissing it we must appeal to something exterior to ourselves — for in that appeal we are likewise appealing to our interior perception of the same? Is it really an endless, vicious epistemological circle?
I — note well the first-person, singular pronoun in the nominative case — am convinced that when Samuel Johnson stamped his boot upon the pavement in opposition to Bishop Berkeley’s immaterialism, he was in the right? The pavement is hard, grey, poorly laid, roughly hewn and obviously so… or is it? By what standard is it hard? There must be a standard to gauge its resistance to plastic deformation, must there not? And whose eye was consulted when it was determined grey? Upon what criterion is it poorly laid and roughly hewn, and in comparison to what? What is it to be hard, grey, poor, and rough? There must be an origin of such descriptive terms? For by themselves they seem to be reliant on the perception of the senses, which are — demonstrably — easily distorted. Alas, I was almost discovered inconsistent, for can it be objectively demonstrated that they are easily distorted, or does the subject perceive such distortions over and against their “reality”?
For my part, “I” am convinced that while truth is often situational — not relative, but certainly not (at least, as we are able to appreciate it) absolute — it is also objective. When trying to identify such truths, it is useful to check my experience against the experience of mankind in part or as a integrated whole. Assuming that I am even a remotely rational creature, such experience must necessarily be interpreted subjectively. It is my duty to attempt to identify those tendencies within mine own mind that might compromise the truth that I am seeking and to subvert them. I would like — and here we are speaking of something flimsier than reason — to believe that I am not the final arbiter, the beginning and the end of “my” creation, the perceiver that holds all things in existence. Since I cannot empirically test whether or not my senses are faithful communicants of objective reality, I can never be absolutely certain that there is an objective reality, but I’m a gambling man and I am comfortable in assuming that it does exist and that I see it as it is, though through a glass and darkly. CONTINUE BENEATH THE FOLD
by Adam Mitchell Bernard Bond on 7 August 2010
The damning ev’dence did conspire,
To rout me from preferment, earned,
That I might nailed upon a pyre,
In merc’less flames be swiftly burned.
For I profess convictions which,
Should they be happ’ly thus detailed,
Would scandalise that whoring bitch,
Who drove the staves, my soul assailed,
I’m not the man they heaped with praise,
I’m not the mask which hides my face,
My heart is naught as my sly face portrays,
I’m not a saint, but wicked, sick and base.
There’s much that I believe but will not speak,
But never will I witness to a lie, the falsest creed,
My will is plagued by doubt and flounders, weak,
And in the nave upon the floor I bleed.
by Adam Mitchell Bernard Bond on 7 August 2010
In a quiet unkempt meadow in the Cotswold Hills there rested a house. Whomever was responsible for its construction — and that figure is lost beneath the swell of history — had fashioned it of that rather ubiquitous yellow limestone that is everywhere seen in that part of Gloucestershire. It was only a league and a half northwest of Bishop’s Cleeve — an afternoon’s journey if the horse was very slow, the waggon very heavy, and waggoner drunk with lethargy.
On a dew-drenched morning when all the world is silent — save the unprincipled gossip of songbirds — one might detect the Mattins tolling of the nine bells of the village church, where — should one able to hear it over the damned chittering thrushes, warblers, swallows, terns, skylarks, and plovers with their endless scuttlebutt and prattle about His Lordship’s mother-in-law and the unseemly drunkenness of Vicar Hollingberry as parodied by a rather cheeky Wagtail of the “clerically-arrayed” variety, not to mention various lewd conspiracies to pilfer the granges — Ahem, but where was I?
Oh, yes, one might just hear the divers pedantries of the esoteric art of Camponology, with its Steadman Doubles, Triple Bob Majors, and Cambridge Surprises. (I’ll tell you what’s surprising about Cambridge, it’s not Oxford… much to its disadvantage.) But I digress. The bell-ringing is of the utmost importance, for the very cadence of the bells is said to vibrate through the firmament and enliven that which is inert and grant speech to even the lowliest of creatures. I know it sounds like twaddle, just bear with me, I’ve been commanded to write a fable by someone whose law is more immutable than God’s own: the old woman in my bed, as it were.
Ahem, some of the older folk whisper of withcraft and sorcery, and they might be right, but still others (who incomprehensibly distinguish betwixt and between such things) talk of an old race of “Britons” that dyed their pagan flesh like Oriental silks and who could speak to the stones, the trees, and all manner of creature. What connexion have the bells to these long-dead, painted men? I haven’t the faintest notion, but no one ever said that folk legends were naturally coherent.
What? Pbbfflliitt! I don’t know!? Maybe the bells were cast from articles of sacrifice and idolatry with the residue of some pagan magic still in them, — or perhaps they effect an indiscernible vibration that excites natural processes as yet understood by men, — or it may be that its all horsefeathers and poppycock!?
I’m a spinner of tales (with an hen-pecked agenda) not a tiresome drudge who labours over encyclopædias — so hold thy tongue, quit chattering, and let me press on! CONTINUE BENEATH THE FOLD